Wristwatch restoration, servicing and repair

Heuer Skipper Ref. 15640 (Heuer Cal. 15)…

It’s been a few years since I’ve written about a sailing timer on the blog, so let’s have a look at this Heuer Skipper.

(Click pictures to enlarge)

Heuer’s first Skipper model was released in 1968 and is now known as the ‘Skipperera’ among Heuer collectors due to be it housed in a Carrera chronograph case. The Skipperera is an incredibly rare watch as it was only produced for a year or so and there are only thought to be around 20 known examples in collections today.

The second iteration was introduced just year later in 1969 and was based on the popular Autavia ref. 2446C. The watch featured an oversized 15 minute subdial and the calibre inside was a modified Valjoux cal. 7730.

From 1971 onwards production moved on to the Autavia case, the earliest models based on the then current Valjoux 7734 powered chronographs (recognisable by the crown and pushers all being on the right) and the later iterations were built around the Heuer cal. 15 automatic. The watch in this post is one of the earlier cal. 15 models, known as the 1st generation ref. 15640, recognisable by the blue dial and glossy blue bezel insert.

The other Autavia cased iterations are pictured below, clockwise from the top left; the Valjoux 7734 powered ref. 73463; the earliest cal. 15 based Skipper, the ref. 1564, fitted with an acrylic rather than mineral crystal and slightly different case details; the early black ref. 15640 made between 1978 and 82 and finally the late black ref. 15640 made from 1983 until 1985/6.

For a complete history of the Skipper and Heuer’s other sailing timers, check out Henrik’s excellent site HeuerChrono.com.

According to the owner, the subject of this post had spent a good few years in a drawer – sliding around face down by the looks of things as the mineral crystal was completely scratched up. (Thank goodness that the crystal protrudes above the bezel insert on these models or that too would have suffered the same fate and wouldn’t have been nearly as easy to replace.)

Under the damaged crystal everything was in good original condition. The watch was running which is always a good start but as the subdial hand was off and floating around the dial, it was hard to say if the sailing timer was fully functional.

The owner and I were hopeful that the hand had just come away from its post but on disassembling the watch the reason the hand was loose was immediately obvious. The shaft of the minute recording runner had broken clean off at the base.

The good news is that the minute recording runner is shared among all the Heuer 12, 14 and 15 calibres but that isn’t the case for the wheel onto which the sweep second hand is mounted, the central chronograph runner, which is unique to the cal. 15 Skipper movement.

As you can see when you look at any Skipper the minute subdial only has 15 minute graduations opposed to the 30 seen in a traditional Heuer Autavia chronograph.

This is of course required specifically for the 15 minute countdown at the start of a yacht race and to implement this Heuer adopted the same system as the Valjoux cal. 7737 used predominantly by Memosail (an example here), namely two fingers on the chronograph runner instead of one.

In operation this effectively moves the minute recording runner forward every 30 seconds rather than every minute, very simply transforming the mechanism (and subdial) from a 30 minute to a 15 minute counter.

Thankfully the centre chronograph runner was in good condition as I’m told that it’s now an incredibly difficult part to source. Even though the minute runner should have been a relatively common part, as Heuer parts are getting harder to source these days I needed to call out to the Heuer community to help me find one. Needless to say they came through for me once again and things were quickly back on track.

With the minute runner replaced and the base movement serviced, the rest of the build was straight forward. The chronograph module and the rest of the watch was rebuilt, the case cleaned and a new crystal fitted returning the watch to full working order.

Rich

** Many thanks to Richard Perry for letting me feature his watch on the blog and to James and Gianluca for helping me out with the minute runner. **


Enicar Sherpa Graph (Valjoux Cal. 72)…

Another Valjoux powered vintage chronograph on the blog, this time it’s an Enicar Sherpa Graph.

(Click pictures to enlarge)

I’ve written about a Sherpa model in the past, the Sherpa Dive but the Sherpa Graph is a stalwart of the range and is now very popular with vintage watch collectors.

First introduced in 1960 the Sherpa Graph went through many changes during its production run and was made with a variety of dial and hand combinations. Changes were also made to the dial and tachymetre bezel over the years, so with such a wide range of variations it can be difficult to accurately date a Sherpa Graph.

The earliest model had lumed sword shaped hands and similarly shaped subdial hands. Only a handful of these are thought to exist so you’ll be very lucky to find one these days.

Production moved quickly to the paddle shaped hands that you see on the watch in this post and over the next few years watches were produced with white, silver and black dials. By the late 1960’s models were being produced with more substantial baton shaped hands though still with an array of chronograph hands combinations.

Here are a few of the model iterations.

For more comprehensive coverage of the topic I’d recommend checking out this excellent Collector’s Guide from the website TheSpringBar which gives a full overview of the Sherpa Graph and Enicar’s other Graph models.

Getting back to the subject of this post it’s worth spending a few minutes describing the case on this watch as it isn’t a typical screwback as you might expect. All of Enicar’s Graph model watches used the Super Compressor case designed and patented by Ervin Piquerez S.A (EPSA).

Super Compressor cases were made by EPSA from the 1950’s until the 1970’s and were used by many watch manufacturers including Longines, Jaeger-LeCoultre, Hamilton, Lip, Benrus, Universal Geneve and Tissot to name just a few.

Turning the watch over the caseback has some nice decoration in the centre, “Sherpa 300” in script (300 being the water resistance in feet) and a picture of an oyster with a pearl, denoting the ‘Seapearl’ for which Enicar are also well known.

With the caseback removed you can see two of the three “loops” of thick wire protruding from the inside of the case…

…and on the inside of the caseback are three corresponding raised sections, each with a protruding lip on the outside.

When the caseback is placed inside the case in the correct orientation and turned through 75 degrees, the lips on the caseback hook under the wire loops securing the caseback in place. Simple but effective – though it can still catch out anyone who is unfamiliar with this type of case construction.

The watch arrived in running condition but with a few cosmetic issues to address. Moisture had found its way into the case, most probably via the edge of the crystal and had rusted the hands. Rust had also permeated the crystal itself, the evidence of which you can see over the ‘M’ in ‘Tachymetre’ in the first picture. As with this Dodane that I wrote about a couple of years ago, when an acrylic crystal ages, it shrinks and small cracks form in the body allowing rust and dirt to creep up into the acrylic and stain the crystal. A replacement is the only option in such cases.

With the watch out of the case the extent of the rust on the hands was clear to see. The main hands had tarnished on the shafts and around the lume plots and the subdial and sweep hands had also been affected. Thankfully the dial had not been damaged and the original lume and paint was all still intact.

The first step was to carefully remove the hands and put a layer of clear binder on the back of the hour and minute hands to secure the lume. The next step was to carefully scrape away all the surface rust which requires a very steady hand as one slip into the lume or paint and it would surely break away.

As mentioned in previous restorations, it isn’t possible to remove the surface pitting in the chrome plate once rust has set in but with care decent results can still be achieved.

The movement inside this watch is the ever popular Valjoux cal. 72. The one in this watch, although it hadn’t been serviced for some time, was still in good condition and needed no more than a routine service this time.

So with the movement serviced and the cosmetic issues addressed, the case was cleaned and a new crystal fitted, after which the watch could be rebuilt.

A quick side profile shot shows that this watch still has its original crown, cross hatched as is typical for most EPSA Super Compressor cases but also branded with the Enicar logo too.

This style of crown was only used on the later Sherpa Graph models, the earliest ones simply had a plain cross hatched crown. It’s a small detail, but well worth noting when you’re looking for original features.

Rich.

** Many thanks to David Pearce for letting me feature his watch on the blog. **


Fortis Centinela Alarm (Venus Cal. 230)…

It’s been a while since I’ve written about an alarm watch on the blog, so let’s have a look at this Fortis Centinela.

(Click pictures to enlarge)

Fortis was founded in 1912 in Grenchen by Walter Vogt who had developed his watchmaking skills whilst working for Eterna. Probably best known for their modern Flieger and aviation inspired chronograph watches, Fortis have an interesting vintage history which included working with English watchmaker John Harwood on the development and release of the first ever automatic watch in 1926, developing the first waterproof alarm chronometer in 1956 and the first Swiss made plastic cased watch, the Flipper, in 1967.

The watch in this post is something of a ground breaker too as it was Fortis’ first ever alarm watch. Introduced in 1954 the Centinela had a production run of just 2 years before being replaced by the less complicated, A.Schild Cal. 1475 powered Manager model, making the Centinela something of a rarity.

Turning the watch over the caseback is unusual as it has a number of holes in it, effectively creating an echo chamber for the alarm…

… and under the screwdown outer caseback is a sounding plate with a pin mounted on the inside which is struck by the alarm hammer, causing the plate to resonate when the alarm is ringing.

Inside the watch is a Venus cal. 230, a 21 jewel, manually wound alarm calibre with a beat rate of 18,000 bph.

The watch arrived in non-running condition and the reason was immediately obvious. As you can see above, the ratchet wheel screw had sheared off inside the barrel arbor and the ratchet wheel was rattling around inside the case.

The Venus cal. 230 is an unusual alarm calibre as it only has a single mainspring barrel powering both the alarm and the going train. The calibre also has an uncommon dial aperture showing the alarm state; green for on, red for off.

In operation, the crown at 3 winds the mainspring and sets the time and the crown at 4 is used to set the alarm time and to enable/disable the alarm.

Let’s have a look at how it works…

When winding the watch the first four complete revolutions of the barrel arbor set up the power source for the alarm. Under the ratchet wheel is the alarm stop wheel which controls the release of power when the alarm is triggered. When fully wound the missing teeth in the stop wheel allow the arbor/mainspring to be wound further to power the going train. The alarm stop wheel also acts as the click in a regular watch preventing the mainspring from unwinding.

When the alarm is triggered, power is released from the arbor end of the mainspring until the alarm stop wheel reaches its unwound state; a very clever way of powering the alarm as the going train continues to run while the alarm is sounding. It does however have an effect on the overall power reserve, the alarm sounds for 10 seconds which costs around 12hrs of reserve. The reserve and alarm can of course be topped up again by winding the watch.

When the alarm is triggered the ratchet wheel rotates counter-clockwise, transferring power through the intermediate and alarm wheels to the alarm hammer which rocks back and forth, the two pins on top striking the pin in the sounding plate on the case.

This calibre is also reasonably complicated under the dial. With the top plate removed you can see the alarm setting wheels and the green and red painted sections on the alarm bolt yoke which are visible through the dial aperture.

The release mechanism works the same way as the Seiko’s Bell-Matic calibre in that the unlocking wheel has three cut-outs which correspond to three raised sections on the hour wheel as seen below.

When the raised sections and the holes in the unlocking wheel align (in other words, the alarm time is reached) the hour wheel rises along with the disconnecting lever underneath, freeing the alarm hammer on the other side of the movement, releasing power from the mainspring and sounding the alarm as detailed above.

Aside from the sheared off ratchet wheel screw, the shaft of which was stuck fast inside the barrel arbor resulting in a replacement arbor being needed, the rest of the service was straight forward, so once the case had been cleaned and a new crystal fitted, the watch could be rebuilt.

At 38mm this is quite a large watch, especially for the 1950’s. It wears well and would make an interesting addition to any collection, the hard part may be finding one.

Rich.

** Many thanks to Kevin Fuller for letting me feature his watch on the blog. **


Seiko 5246-6000 (King Seiko Special Chronometer)…

At the top of the King Seiko food chain and with enough dial text to rival a modern Rolex, Seiko made it obvious that they were ticking all the boxes with this 5246-6000 Special Chronometer.

(Click pictures to enlarge)

As many enthusiasts will know, Seiko’s vintage watches were produced by two wholly owned subsidiaries; Daini Seikosha Co. and Suwa Seikosha Co. During the 1960’s and early 70’s the two companies were competing to produce Seiko’s flagship models and although both companies produced watches for all segments of the market, the competition was most evident at the ‘prestige’ end of the market where technological development and accuracy were key factors.

In December 1960 the Suwa factory released the first Grand Seiko model, realising their long held ambition to produce a chronometer rated timepiece that exceeded the recognised standards of the Official Swiss Chronometer Testing Institute, the Contrôle Officiel Suisse des Chronomètres (COSC).

In response the Daini factory released the first King Seiko model in 1963, but without a chronometer rating it was deemed inferior to the Suwa Grand Seiko.

What it did do however was spark a rivalry between the two companies which would see the development of some outstanding high-beat manual and automatic calibres which were undoubtedly the pinnacle of their output prior to the quartz revolution.

For a more in-depth overview of the Grand and King Seiko models, check out this excellent two part series written by Evan Yeung for the online watch magazine Monochrome.

The subject of this post is arguably the best watch that the Daini factory produced, but before getting into what’s inside, let’s have a closer look at the case. Turning the watch over you immediately know this is an unusual model as it is completely smooth; no caseback or medallion, just a simple KS logo, model number and opening instructions.

Between the lower lugs is a screw to allow for fine regulation but more on that later…

To open the watch the bezel has to be levered off and the crystal and gasket removed. The mineral crystal is mounted in a stainless steel ring which slots into the gasket and the bezel compresses the two to form a waterproof seal.

When removed, a pin or small screwdriver is then used to press down the lever opposite the 4 marker on the dial and the stem and crown can be pulled out.

A casing spring holds the movement securely in the case which has to be rotated before the watch can be from the case.

Inside is the Seiko cal. 5246A, a chronometer rated 25 jewel automatic movement with a beat rate of 28,800 bph. The calibre can also be hand wound and has quickset functions for both the day and date via the crown.

The architecture is unique to the 52xx family, it shares no parts with other lines. The automatic winding mechanism is typical of the higher end Daini calibres using a roller system rather than the magic lever used on lower quality calibres and there are also diafix installations on the escape and third wheel pivots to prevent oil contamination and promote a more stable rate.

Like all other 5 series calibres, under the dial is a raft of parts making up the calendar mechanism and keyless works. Over-engineered? Possibly.

One last thing to cover is the micro-adjuster mechanism which I alluded to earlier. On the outer edge of the movement is a regulating lever and a screw with an eccentric centre section used to provide fine regulation without having to remove the watch from the case.

The screw between the lugs is removed from the case and a small screwdriver can then be used to rotate the regulating screw, sliding the connected lever either left or right to increase or decrease the rate of the watch. A very useful feature.

Having worked on the majority of Seiko’s vintage calibres I can say that this one is certainly on a par with any of the Grand Seiko calibres and this watch would be a worthy addition to any vintage Seiko collection. The hard part may be finding one as they rarely come up for sale these days.

The movement needed no more than a new mainspring and a routine service this time, so with the case cleaned and the watch rebuilt it was soon back in full working order.

Rich.


Zodiac Automatic Chronograph (Zodiac Cal. 90)…

Following on from the Hamilton Chrono-Matic last month, it’s another Calibre 12 powered automatic chronograph, this time from Zodiac.

(Click pictures to enlarge)

I wrote about this model back in 2010 and at the end of the post I expressed an interest in owning one some day (that post here). I was contacted through the blog by a seller in Germany who was looking to move the same watch on and had found my post when researching the model. A deal was quickly done and the watch was soon inbound.

On arrival I was pleased as the watch was running, the chronograph worked and it was in good overall cosmetic condition. It had a few marks and scrapes from its 40 years of life and was long overdue a service, but all-in-all it was an honest example.

As regular readers and vintage chronograph enthusiasts will know, these chronographs along with models from Hamilton, Clebar, Tradition and Le Jour are known as “Poor Man’s Heuers” because even though they were produced by Heuer, they can usually be bought for less than their Heuer branded counterparts.

Other models in the Zodiac range during the 1970’s were identical to their Heuer siblings in all but the dial print, a few examples being the Zodiac Autavia, Carrera, GMT and they also offered a model reminiscent of Hamilton’s Fontainebleau chronograph.

Though the model in this post was exclusive to Zodiac, it does share the case and movement with the Heuer Jarama (…thankfully the gold coin-edge bezel was omitted from the Zodiac!)

This Zodiac was also produced with two subtly different dial designs; one with red highlights in the left sub-dial and one without. They were also produced with both round and fluted pushers at different times during the production run.

As the watch arrived in relatively good condition, it needed little more than a good clean, a movement service, a crystal polish and some light work on the case to bring it back up to scratch.

Also included in the sale were the original bracelet, box and owners manuals which are always a bonus for any vintage watch enthusiast.

Rich.


Hamilton Chrono-Matic Ref. 11002-3 (Hamilton Cal. 11)…

Another Chrono-Matic on the blog, this time from Hamilton.

(Click pictures to enlarge)

The ‘Chrono-Matic’ name will be recognised by many vintage watch enthusiasts and collectors as it is synonymous with the early automatic chronographs produced by Hamilton, Breitling and Heuer. Although all Chrono-Matic chronographs are collectible these days, the Heuer models in particular are highly prized as the Chrono-Matic name was dropped from the dial on all but the earliest examples.

Hamilton acquired Buren in 1966 to become Hamilton-Buren and subsequently played a role in the development of the world’s first automatic chronograph calibre, working with Heuer, Breitling and the renowned chronograph specialists Dubois-Dépraz. Without the input from Hamilton-Buren who provided the base calibre, the project would never have got off the ground. The history of the first automatic calibre and the race to market is an interesting one but rather than cover old ground I’ll direct any interested parties to Jeff Stein’s excellent article ‘Project 99’ for further details.

Hamilton produced Chrono-Matic models in limited numbers during the early 1970’s, the watch in this post being one of just four models they released. Along with the same watch in a white/black (Panda dial) configuration, Hamilton also produced the quirky Fontainebleau Chrono-Matic with its futuristic tonneau shaped case, the Pan-Europ chronograph and the extremely rare Chrono-Matic Count-Down.

The Count-Down model is particularly interesting as it reversed the ‘traditional’ layout used in all other calibre 11/12/14/15 powered watches, positioning the crown on the right and the pushers on the left. You’ll notice too in the picture above that as the calibre has been rotated 180 degrees inside the case the watch has the hour register on the right hand side of the dial and the minute counter on the left. The watch is powered by a cal. 14 movement (or Calibre 141 as Hamilton re-branded it) so it also has a GMT hand and two additional crowns on the right used to rotate not one but two internal bezels – one for the GMT hour and one for the city.

Getting back to the subject of this post the watch arrived in decent cosmetic condition and opening it up revealed the expected Hamilton Calibre 11. Although the watch was running it did have a couple of mechanical issues; the chronograph wouldn’t reset cleanly to zero and the automatic winding mechanism wasn’t building up any power reserve.

Problems with these automatic winding mechanisms are often caused by the rotor scraping on the chronograph bridge or mainplate but that wasn’t the case here, it was much more obvious on disassembly; one of the reduction wheels was missing altogether and the second had a broken top pivot. I’m guessing that the last watchmaker to work on this watch couldn’t source the parts, so just re-assembled with manual winding only – relegating it to a “Chrono-Manual” if you will!

After making a few enquiries replacement reduction wheels were sourced and purchased from Italy which solved the problem in short order.

The rest of the service on the base movement was straight forward and things were already starting to look better…

Unfortunately the aforementioned watchmaker struck again when it came to the chronograph module as all the eccentric screws and jumpers had been moved in an effort to get the chronograph working correctly. A lot of time must have been spent trying to get it right as one of the eccentric screw had been moved so much that it was now loose in the plate and moved fractionally with every reset, plus the sliding gear had been glued together and so could no longer be adjusted. Not good.

Thankfully both problems were repairable without parts, the sliding gear was separated, cleaned and staked to make it a solid friction fit once more and the hole for the eccentric screw in the bridge closed slightly with a convex punch to make it a tighter fit.

After that the chronograph had to be rebuilt and set up again from scratch which is no mean feat on the cal. 11 as it has a combination of six eccentric screws and jumpers. (This was simplified to four on the re-designed cal. 12.)

With the movement problems ironed out, the case cleaned and crystal polished the watch could finally be rebuilt.

What isn’t obvious from a dial-on shot is how thick this watch is. As the design of this calibre is modular an increase in movement height is inevitable but it is well hidden in watches with more substantial cases like the Heuer Autavia or Breitling Cosmonaute. With a case diameter of just 37mm the Hamilton is quite small and with no external bezel to bulk out the case the resulting watch is surprisingly thick at 14mm. Not that it should put anyone off buying one as it’s still a great watch.

Finally, it may also be of interest to know that Hamilton is due to release a re-issue the Chrono-Matic later this year called the “Intramatic 68”.

With Hamilton’s H-31 automatic chronograph calibre inside the layout is more traditional with the pushers and crown all on the right. The size has been increased to 42mm too making it quite a substantial watch which may wear even larger as it has no external bezel.

If you are slow out of the blocks, tracking one of these down may be just as hard as finding an original as the Intramatic 68 will only be produced in a limited edition run of just 1,968.

Rich.

** Many thanks to Mike Causer for letting me feature his watch on the blog. **


Certina DS PH200M (Certina Cal. 25-651)…

Here’s another great vintage diver, a Certina DS PH200M from 1967.

(Click pictures to enlarge)

Vintage Certina divers are popular with collectors these days and with good reason as they are great watches. The “Double Security” (DS) line was first introduced in 1959, aiming to surpass the water and shock resistance of any watch on the market at the time. (For more information about the DS concept and the history of Certina, check out this post that I wrote last year about a popular DS-2 model.)

The DS concept was perfectly suited to the specific requirements of a divers watch and the first DS diver was added to the range just a year later in 1960. More DS divers followed between 1960 and 1967 but the introduction of the improved DS-2 range in 1968 saw Certina ‘up their game’ when it came to deep diving watches.

Although Certina continued to produce the 200 metre rated PH200M in an improved DS-2 case they also introduced a new model in 1968, the DS-2 Super PH500M which was rated to 500 metres. This was followed in 1974 by an even more substantial watch, the 1000 metre rated DS-2 Super PH1000M. These models solidified Certina’s position in the deep diving watch arena and were used by NASA and the U.S. Navy in various experiments.  The near identical DS-3 Super 1000M, released in 1976, was also used by the Royal Australian Navy.

The watch in this post was the last DS divers model produced before the introduction of the new DS-2 range. As you can see in the first picture, from a cosmetic perspective the watch wasn’t in the best of shape and had been subject to moisture damage at some time in the past. It was running though which was encouraging.

Turning the watch over it has the Certina DS ‘turtle’ caseback which is always a pleasure to see…

… and inside is Certina’s stalwart movement, the cal. 25-651. Used extensively in their automatic watches during the 1960’s and 70’s, the cal. 25-651 is a good quality, 27 jewel, in-house calibre with a beat rate of 19,800 bph.

As you can see the winding rotor had suffered some pitting from the moisture ingress and the yellow rubber ‘shock absorber’ had discoloured somewhat, but thankfully there wasn’t extensive rust damage so the movement service was relatively straight forward this time.

While the case was being disassembled for cleaning I found that a new crystal was required as the current one was a very poor fit for the case and had been crudely glued in (you can see the old/yellowed glue between the 8 and 10 hour markers in the first picture) and although it did screw down onto the case tube, the winding crown fitted was a mismatch and needed to be replaced with a Certina branded crown to put things right. As you can imagine, finding new crowns for 50 year old watches can be challenging at the best of times, so it was appreciated when the owner of the watch managed to track one down.

As I’m sure you noticed the hands had lost all their luminous filling, again due to the moisture ingress. The lume on the dial markers however, although showing signs of age and no longer glowing, was all intact so the owner asked to have the hands re-lumed with non-glowing lume, after which I artificially aged them to match the dial markers.

Here’s the watch all back together. Although it still shows some marks from previous battles, it’s ready to fight another day.

Rich.

** Many thanks to Eugene Tay for letting me feature his watch on the blog. **


Le Cheminant Master Mariner (Valjoux Cal. 92)…

This Le Cheminant Master Mariner was certainly in need of some attention.

(Click pictures to enlarge)

Regular readers may recognise this model as I restored one around three years ago. I’m always impressed by how well this style of watch responds to some TLC so I thought it couldn’t hurt to write a post about another one.

In the previous article I covered the history of Le Cheminant and similar models from other manufacturers (that post here) so let’s get right down to business…

As you can see above the watch had its fair share of issues. The lume had deteriorated throughout, the crystal was cracked around the top edge, the bezel had lost most of its paint and the watch had a poor fitting crown and stem. Added to that, the watch was not running and would wind forever, a sure sign that the mainspring was broken.

Opening the watch revealed a Valjoux Cal. 92, the highest quality calibre that is found in this style of watch and it was in decent cosmetic condition too with just a hint of tarnish here and there. A good start.

It wasn’t long however before the problems started to arise, the first being the set lever spring which had snapped off meaning that the watch would not click out securely into the time setting position. Thankfully the majority of parts can still be sourced for the Valjoux 92 so this one was an easy fix.

The next problem however was a bit more serious. The last watchmaker to work on the watch had obviously snapped off the head of the click screw on the dial side of the movement (the click stops the mainspring from unwinding). In an attempt to remove the broken shaft, which can be troublesome at the best of times even with the right tool, he had drilled through the mainplate from the train side in an effort to drive out the broken shaft.

This had obviously been unsuccessful as the shaft was largely still in place and doing so had trashed the threads in the mainplate. To make matters worse, rather than repair the damage properly, as a workaround, the replacement click screw had been superglued into the hole. A nasty surprise for the next watchmaker… ie. me!

In cases like this the correct way to repair this kind of damage is to drill out the entire damaged section of the plate and insert a brass bush of the same thickness as the mainplate, giving a stable platform in which to drill and tap a new hole for the screw.

With limited material left to work with this proved to be quite difficult as the position of the click screw has to be exact or the click will jam in the teeth of the ratchet wheel. Thankfully it all worked out successfully so with the movement serviced and back up and running properly it was on to the cosmetic work.

It was decided that the dial, hands and bezel pip should be re-lumed with a green lume as they would have been originally and the case was fully stripped down, cleaned, and given a light buff to restore the shine. The crystal and gaskets were replaced and a new crown and stem were ordered after which the watch could be rebuilt.

The last thing to do was to remove the old paint and refresh the bezel markings. There was some discussion with the owner regarding the choice of colour scheme. On close inspection of the remaining paint fragments it appeared that originally the numbers were black and the minute track was red all the way around, so we went with that.

Here is the watch all finished up. Another great transformation from a pretty rough starting point.

 

Rich.

** Many thanks to Richard Whittaker for letting me feature his watch on the blog. **